<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" href="https://test.royalcourttheatre.com/plugins/seriously-simple-podcasting/templates/feed-stylesheet.xsl"?><rss version="2.0"
	 xmlns:content="http://purl.org/rss/1.0/modules/content/"
	 xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	 xmlns:dc="http://purl.org/dc/elements/1.1/"
	 xmlns:atom="http://www.w3.org/2005/Atom"
	 xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	 xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	 xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"
	 xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0"
	 xmlns:podcast="https://podcastindex.org/namespace/1.0"
	>
		<channel>
		<title>Royal Court Playwright&#039;s Podcast</title>
		<atom:link href="https://test.royalcourttheatre.com/feed/podcast/royal-court-playwrights-podcast/" rel="self" type="application/rss+xml"/>
		<link>https://test.royalcourttheatre.com/series/royal-court-playwrights-podcast/</link>
		<description>Some of the world&#039;s leading playwrights talk about their lives, their work, and their relationships with the Royal Court. Guests include Jez Butterworth, April de Angelis, Rachel De-lahey, Tanika Gupta, David Hare, Robert Holman, Dennis Kelly, Alistair McDowall, Anthony Neilson, Joe Penhall, Lucy Prebble, Anya Reiss, Polly Stenham and Enda Walsh.</description>
		<lastBuildDate>Tue, 27 May 2025 08:52:01 +0000</lastBuildDate>
		<language>en-US</language>
		<copyright>© 2016 Royal Court</copyright>
		<itunes:subtitle></itunes:subtitle>
		<itunes:author>Royal Court</itunes:author>
		<itunes:type>episodic</itunes:type>
		<itunes:summary>Some of the world&#039;s leading playwrights talk about their lives, their work, and their relationships with the Royal Court. Guests include Jez Butterworth, April de Angelis, Rachel De-lahey, Tanika Gupta, David Hare, Robert Holman, Dennis Kelly, Alistair McDowall, Anthony Neilson, Joe Penhall, Lucy Prebble, Anya Reiss, Polly Stenham and Enda Walsh.</itunes:summary>
		<itunes:owner>
			<itunes:name>Royal Court</itunes:name>
			<itunes:email>AnoushkaWarden@royalcourttheatre.com</itunes:email>
		</itunes:owner>
		<itunes:explicit>false</itunes:explicit>
		<itunes:image href="https://d19lfjg8hluhfw.cloudfront.net/wp-content/uploads/2016/12/09094046/Playwrights-Podcast-Icon-1400-x-1400.jpg"></itunes:image>
			<image>
				<url>https://d19lfjg8hluhfw.cloudfront.net/wp-content/uploads/2016/12/09094046/Playwrights-Podcast-Icon-1400-x-1400.jpg</url>
				<title>Royal Court Playwright&#039;s Podcast</title>
				<link>https://test.royalcourttheatre.com/series/royal-court-playwrights-podcast/</link>
			</image>
		<itunes:category text="Arts">
			<itunes:category text="Performing Arts"></itunes:category>
		</itunes:category>
		<googleplay:author><![CDATA[Royal Court]]></googleplay:author>
			<googleplay:email>AnoushkaWarden@royalcourttheatre.com</googleplay:email>			<googleplay:description>Some of the world&#039;s leading playwrights talk about their lives, their work, and their relationships with the Royal Court. Guests include Jez Butterworth, April de Angelis, Rachel De-lahey, Tanika Gupta, David Hare, Robert Holman, Dennis Kelly, Alistair McDowall, Anthony Neilson, Joe Penhall, Lucy Prebble, Anya Reiss, Polly Stenham and Enda Walsh.</googleplay:description>
			<googleplay:explicit>No</googleplay:explicit>
			<googleplay:image href="https://d19lfjg8hluhfw.cloudfront.net/wp-content/uploads/2016/12/09094046/Playwrights-Podcast-Icon-1400-x-1400.jpg"></googleplay:image>
			<podcast:locked owner="AnoushkaWarden@royalcourttheatre.com">yes</podcast:locked>
		<podcast:guid>04f084f3-8ab3-59d9-a3b8-5387078165f9</podcast:guid>
		
		<!-- podcast_generator="SSP by Castos/3.10.1" Seriously Simple Podcasting plugin for WordPress (https://wordpress.org/plugins/seriously-simple-podcasting/) -->
		<generator>https://wordpress.org/?v=6.8</generator>

<item>
	<title>S8 Ep5: Joel Tan talks to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s8-ep5-joel-tan-talks-to-susan-wokoma/</link>
	<pubDate>Fri, 04 Apr 2025 11:39:19 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=100090</guid>
	<description><![CDATA[Joel Tan has been described as one of the most exciting Singaporean playwrights of his generation. In Singapore his plays have been produced by leading theatre companies including Checkpoint Theatre and Wild Rice. Recently, his work in the UK includes the Living Newspaper at the Royal Court, as well as Love in the Time of the Ancients, and No Particular Order. Joel's play Scenes from a Repatriation runs at the Royal Court Theatre this April. ]]></description>
	<itunes:subtitle><![CDATA[Joel Tan has been described as one of the most exciting Singaporean playwrights of his generation. In Singapore his plays have been produced by leading theatre companies including Checkpoint Theatre and Wild Rice. Recently, his work in the UK includes th]]></itunes:subtitle>
	<content:encoded><![CDATA[Joel Tan has been described as one of the most exciting Singaporean playwrights of his generation. In Singapore his plays have been produced by leading theatre companies including Checkpoint Theatre and Wild Rice. Recently, his work in the UK includes the Living Newspaper at the Royal Court, as well as Love in the Time of the Ancients, and No Particular Order. Joel's play Scenes from a Repatriation runs at the Royal Court Theatre this April. ]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/100090/s8-ep5-joel-tan-talks-to-susan-wokoma.wav" length="329656248" type="audio/wav"></enclosure>
	<itunes:summary><![CDATA[Joel Tan has been described as one of the most exciting Singaporean playwrights of his generation. In Singapore his plays have been produced by leading theatre companies including Checkpoint Theatre and Wild Rice. Recently, his work in the UK includes the Living Newspaper at the Royal Court, as well as Love in the Time of the Ancients, and No Particular Order. Joel's play Scenes from a Repatriation runs at the Royal Court Theatre this April.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>28:36</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Joel Tan has been described as one of the most exciting Singaporean playwrights of his generation. In Singapore his plays have been produced by leading theatre companies including Checkpoint Theatre and Wild Rice. Recently, his work in the UK includes the Living Newspaper at the Royal Court, as well as Love in the Time of the Ancients, and No Particular Order. Joel's play Scenes from a Repatriation runs at the Royal Court Theatre this April.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S8 Ep4: Khawla Ibraheem talks to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s8-ep4-khawla-ibraheem-talks-to-susan-wokoma/</link>
	<pubDate>Thu, 27 Feb 2025 10:51:49 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=99311</guid>
	<description><![CDATA[Khawla Ibraheem is a playwright, actor and director based in the Majdal Shams in the occupied Golan Heights. She is a regular at many theatres in Palestine and outside of Palestine she has collaborated with many theatres and institutions, including as a fellow at the McDowell, and as an artist in residence at the Sundance Theatre Lab. Khawla's one-woman play, A Knock on the Roof, opens at the Royal Court later this month.]]></description>
	<itunes:subtitle><![CDATA[Khawla Ibraheem is a playwright, actor and director based in the Majdal Shams in the occupied Golan Heights. She is a regular at many theatres in Palestine and outside of Palestine she has collaborated with many theatres and institutions, including as a ]]></itunes:subtitle>
	<content:encoded><![CDATA[Khawla Ibraheem is a playwright, actor and director based in the Majdal Shams in the occupied Golan Heights. She is a regular at many theatres in Palestine and outside of Palestine she has collaborated with many theatres and institutions, including as a fellow at the McDowell, and as an artist in residence at the Sundance Theatre Lab. Khawla's one-woman play, A Knock on the Roof, opens at the Royal Court later this month.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/99311/s8-ep4-khawla-ibraheem-talks-to-susan-wokoma.mp3" length="56761492" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Khawla Ibraheem is a playwright, actor and director based in the Majdal Shams in the occupied Golan Heights. She is a regular at many theatres in Palestine and outside of Palestine she has collaborated with many theatres and institutions, including as a fellow at the McDowell, and as an artist in residence at the Sundance Theatre Lab. Khawla's one-woman play, A Knock on the Roof, opens at the Royal Court later this month.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>39:23</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Khawla Ibraheem is a playwright, actor and director based in the Majdal Shams in the occupied Golan Heights. She is a regular at many theatres in Palestine and outside of Palestine she has collaborated with many theatres and institutions, including as a fellow at the McDowell, and as an artist in residence at the Sundance Theatre Lab. Khawla's one-woman play, A Knock on the Roof, opens at the Royal Court later this month.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S8 Ep3: Lauren Mooney and James Yeatman talk to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s8-ep3-lauren-mooney-and-james-yeatman-talk-to-susan-wokoma/</link>
	<pubDate>Thu, 30 Jan 2025 16:55:25 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=99085</guid>
	<description><![CDATA[Lauren Mooney and James Yeatman make up the award winning theatre company Kandinsky, who make collaborative new work. Their latest project, More Life, has been developed at the New Diorama, National Theatre Studios and the Royal Court, and will debut at the Royal Court Theatre Upstairs in February 2025.]]></description>
	<itunes:subtitle><![CDATA[Lauren Mooney and James Yeatman make up the award winning theatre company Kandinsky, who make collaborative new work. Their latest project, More Life, has been developed at the New Diorama, National Theatre Studios and the Royal Court, and will debut at ]]></itunes:subtitle>
	<content:encoded><![CDATA[Lauren Mooney and James Yeatman make up the award winning theatre company Kandinsky, who make collaborative new work. Their latest project, More Life, has been developed at the New Diorama, National Theatre Studios and the Royal Court, and will debut at the Royal Court Theatre Upstairs in February 2025.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/99085/s8-ep3-lauren-mooney-and-james-yeatman-talk-to-susan-wokoma.wav" length="362647368" type="audio/wav"></enclosure>
	<itunes:summary><![CDATA[Lauren Mooney and James Yeatman make up the award winning theatre company Kandinsky, who make collaborative new work. Their latest project, More Life, has been developed at the New Diorama, National Theatre Studios and the Royal Court, and will debut at the Royal Court Theatre Upstairs in February 2025.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>31:23</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Lauren Mooney and James Yeatman make up the award winning theatre company Kandinsky, who make collaborative new work. Their latest project, More Life, has been developed at the New Diorama, National Theatre Studios and the Royal Court, and will debut at the Royal Court Theatre Upstairs in February 2025.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S8 Ep2: Amy Jephta talks to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s8-ep2-amy-jephta-talks-to-susan-wokoma/</link>
	<pubDate>Fri, 20 Dec 2024 13:08:29 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=98814</guid>
	<description><![CDATA[Amy Jephta is a South African playwright, screenwriter and actor based in Cape Town. She was named one of the Mail and Guardian’s 200 Top Young South Africans in 2013 and is the recipient of South Africa’s highest art accolade - The Standard Bank Young Artist Award. Amy’s play, A Good House, runs at the Royal Court in January 2025.]]></description>
	<itunes:subtitle><![CDATA[Amy Jephta is a South African playwright, screenwriter and actor based in Cape Town. She was named one of the Mail and Guardian’s 200 Top Young South Africans in 2013 and is the recipient of South Africa’s highest art accolade - The Standard Bank Young A]]></itunes:subtitle>
	<content:encoded><![CDATA[Amy Jephta is a South African playwright, screenwriter and actor based in Cape Town. She was named one of the Mail and Guardian’s 200 Top Young South Africans in 2013 and is the recipient of South Africa’s highest art accolade - The Standard Bank Young Artist Award. Amy’s play, A Good House, runs at the Royal Court in January 2025.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/98814/s8-ep2-amy-jephta-talks-to-susan-wokoma.wav" length="384726472" type="audio/wav"></enclosure>
	<itunes:summary><![CDATA[Amy Jephta is a South African playwright, screenwriter and actor based in Cape Town. She was named one of the Mail and Guardian’s 200 Top Young South Africans in 2013 and is the recipient of South Africa’s highest art accolade - The Standard Bank Young Artist Award. Amy’s play, A Good House, runs at the Royal Court in January 2025.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>33:19</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Amy Jephta is a South African playwright, screenwriter and actor based in Cape Town. She was named one of the Mail and Guardian’s 200 Top Young South Africans in 2013 and is the recipient of South Africa’s highest art accolade - The Standard Bank Young Artist Award. Amy’s play, A Good House, runs at the Royal Court in January 2025.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S8 Ep1: Sutara Gayle AKA Lorna Gee talks to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s8-ep1-sutara-gayle-aka-lorna-gee-talks-to-susan-wokoma/</link>
	<pubDate>Thu, 05 Dec 2024 13:53:11 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=98679</guid>
	<description><![CDATA[Sutara Gayle is a writer and performer, also known as the award-winning, South London reggae artist Lorna Gee. Last year, her one woman play The Legends of Them, played a highly acclaimed run at Brixton House, produced by the Hackney Showroom. This Christmas it will run in the Royal Court Theatre Downstairs.]]></description>
	<itunes:subtitle><![CDATA[Sutara Gayle is a writer and performer, also known as the award-winning, South London reggae artist Lorna Gee. Last year, her one woman play The Legends of Them, played a highly acclaimed run at Brixton House, produced by the Hackney Showroom. This Chris]]></itunes:subtitle>
	<content:encoded><![CDATA[Sutara Gayle is a writer and performer, also known as the award-winning, South London reggae artist Lorna Gee. Last year, her one woman play The Legends of Them, played a highly acclaimed run at Brixton House, produced by the Hackney Showroom. This Christmas it will run in the Royal Court Theatre Downstairs.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/98679/s8-ep1-sutara-gayle-aka-lorna-gee-talks-to-susan-wokoma.mp3" length="41252129" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Sutara Gayle is a writer and performer, also known as the award-winning, South London reggae artist Lorna Gee. Last year, her one woman play The Legends of Them, played a highly acclaimed run at Brixton House, produced by the Hackney Showroom. This Christmas it will run in the Royal Court Theatre Downstairs.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>28:04</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Sutara Gayle is a writer and performer, also known as the award-winning, South London reggae artist Lorna Gee. Last year, her one woman play The Legends of Them, played a highly acclaimed run at Brixton House, produced by the Hackney Showroom. This Christmas it will run in the Royal Court Theatre Downstairs.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S7 Ep10: Emteaz Hussain talks to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s7-ep10-emteaz-hussain-talks-to-susan-wokoma/</link>
	<pubDate>Tue, 30 Apr 2024 16:59:16 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=96300</guid>
	<description><![CDATA[Emteaz Hussain is a playwright and performance poet. As a performance poet she has toured both nationally and internationally. As a writer, her plays include Social Distancing, Etching and writing as part of the Royal Court’s Living Newspaper. Her latest play Expendable, will play in the Royal Court’s Jerwood Theatre Upstairs later this year.]]></description>
	<itunes:subtitle><![CDATA[Emteaz Hussain is a playwright and performance poet. As a performance poet she has toured both nationally and internationally. As a writer, her plays include Social Distancing, Etching and writing as part of the Royal Court’s Living Newspaper. Her latest]]></itunes:subtitle>
	<content:encoded><![CDATA[Emteaz Hussain is a playwright and performance poet. As a performance poet she has toured both nationally and internationally. As a writer, her plays include Social Distancing, Etching and writing as part of the Royal Court’s Living Newspaper. Her latest play Expendable, will play in the Royal Court’s Jerwood Theatre Upstairs later this year.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/96300/s7-ep10-emteaz-hussain-talks-to-susan-wokoma.wav" length="361775624" type="audio/wav"></enclosure>
	<itunes:summary><![CDATA[Emteaz Hussain is a playwright and performance poet. As a performance poet she has toured both nationally and internationally. As a writer, her plays include Social Distancing, Etching and writing as part of the Royal Court’s Living Newspaper. Her latest play Expendable, will play in the Royal Court’s Jerwood Theatre Upstairs later this year.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>20:56</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Emteaz Hussain is a playwright and performance poet. As a performance poet she has toured both nationally and internationally. As a writer, her plays include Social Distancing, Etching and writing as part of the Royal Court’s Living Newspaper. Her latest play Expendable, will play in the Royal Court’s Jerwood Theatre Upstairs later this year.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S7 Ep9: Oli Forsyth talks to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s7-ep9-oli-forsyth-talk-to-susan-wokoma/</link>
	<pubDate>Mon, 22 Apr 2024 09:43:09 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=96268</guid>
	<description><![CDATA[Oli Forsyth is a TV and theatre writer, as well as having his own theatre company Smoke and Oakum. His plays have been performed at the New Diorama, Hampstead, Vault Festival and the Edinburgh Fringe. This year, his play BRACE BRACE will play in the Royal Court’s Jerwood Theatre Upstairs.]]></description>
	<itunes:subtitle><![CDATA[Oli Forsyth is a TV and theatre writer, as well as having his own theatre company Smoke and Oakum. His plays have been performed at the New Diorama, Hampstead, Vault Festival and the Edinburgh Fringe. This year, his play BRACE BRACE will play in the Roya]]></itunes:subtitle>
	<content:encoded><![CDATA[Oli Forsyth is a TV and theatre writer, as well as having his own theatre company Smoke and Oakum. His plays have been performed at the New Diorama, Hampstead, Vault Festival and the Edinburgh Fringe. This year, his play BRACE BRACE will play in the Royal Court’s Jerwood Theatre Upstairs.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/96268/s7-ep9-oli-forsyth-talk-to-susan-wokoma.wav" length="420378978" type="audio/wav"></enclosure>
	<itunes:summary><![CDATA[Oli Forsyth is a TV and theatre writer, as well as having his own theatre company Smoke and Oakum. His plays have been performed at the New Diorama, Hampstead, Vault Festival and the Edinburgh Fringe. This year, his play BRACE BRACE will play in the Royal Court’s Jerwood Theatre Upstairs.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>24 min</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Oli Forsyth is a TV and theatre writer, as well as having his own theatre company Smoke and Oakum. His plays have been performed at the New Diorama, Hampstead, Vault Festival and the Edinburgh Fringe. This year, his play BRACE BRACE will play in the Royal Court’s Jerwood Theatre Upstairs.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S7 Ep8: Mark Rosenblatt talks to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s7-ep8-mark-rosenblatt-talks-to-susan-wokoma/</link>
	<pubDate>Mon, 15 Apr 2024 14:05:36 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=96254</guid>
	<description><![CDATA[Mark Rosenblatt is a writer and director for stage and screen. He’s worked as a theatre director since 1998 and in that time has worked as the Associate Director at Leeds Playhouse, and Studio Associate at the National Theatre. This year, his debut play Giant will play in the Royal Court’s Jerwood Theatre Downstairs.]]></description>
	<itunes:subtitle><![CDATA[Mark Rosenblatt is a writer and director for stage and screen. He’s worked as a theatre director since 1998 and in that time has worked as the Associate Director at Leeds Playhouse, and Studio Associate at the National Theatre. This year, his debut play ]]></itunes:subtitle>
	<content:encoded><![CDATA[Mark Rosenblatt is a writer and director for stage and screen. He’s worked as a theatre director since 1998 and in that time has worked as the Associate Director at Leeds Playhouse, and Studio Associate at the National Theatre. This year, his debut play Giant will play in the Royal Court’s Jerwood Theatre Downstairs.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/96254/s7-ep8-mark-rosenblatt-talks-to-susan-wokoma.wav" length="428706350" type="audio/wav"></enclosure>
	<itunes:summary><![CDATA[Mark Rosenblatt is a writer and director for stage and screen. He’s worked as a theatre director since 1998 and in that time has worked as the Associate Director at Leeds Playhouse, and Studio Associate at the National Theatre. This year, his debut play Giant will play in the Royal Court’s Jerwood Theatre Downstairs.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>24:48</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Mark Rosenblatt is a writer and director for stage and screen. He’s worked as a theatre director since 1998 and in that time has worked as the Associate Director at Leeds Playhouse, and Studio Associate at the National Theatre. This year, his debut play Giant will play in the Royal Court’s Jerwood Theatre Downstairs.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S7 Ep7: Tife Kusoro talks to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s7-ep7-tife-kusoro-talks-to-susan-wokoma/</link>
	<pubDate>Mon, 08 Apr 2024 14:08:30 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=96232</guid>
	<description><![CDATA[Tife Kusoro is a writer and performer whose work has previously been shortlisted for the Alfred Fagon award, Verity Bargate award and the Women’s Prize for Playwriting. Tife’s play G was developed whilst on attachment with the Royal Court, it will debut in the Jerwood Theatre Upstairs later this year.]]></description>
	<itunes:subtitle><![CDATA[Tife Kusoro is a writer and performer whose work has previously been shortlisted for the Alfred Fagon award, Verity Bargate award and the Women’s Prize for Playwriting. Tife’s play G was developed whilst on attachment with the Royal Court, it will debut ]]></itunes:subtitle>
	<content:encoded><![CDATA[Tife Kusoro is a writer and performer whose work has previously been shortlisted for the Alfred Fagon award, Verity Bargate award and the Women’s Prize for Playwriting. Tife’s play G was developed whilst on attachment with the Royal Court, it will debut in the Jerwood Theatre Upstairs later this year.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/96232/s7-ep7-tife-kusoro-talks-to-susan-wokoma.wav" length="411435404" type="audio/wav"></enclosure>
	<itunes:summary><![CDATA[Tife Kusoro is a writer and performer whose work has previously been shortlisted for the Alfred Fagon award, Verity Bargate award and the Women’s Prize for Playwriting. Tife’s play G was developed whilst on attachment with the Royal Court, it will debut in the Jerwood Theatre Upstairs later this year.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>23:48</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Tife Kusoro is a writer and performer whose work has previously been shortlisted for the Alfred Fagon award, Verity Bargate award and the Women’s Prize for Playwriting. Tife’s play G was developed whilst on attachment with the Royal Court, it will debut in the Jerwood Theatre Upstairs later this year.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S7 Ep6: Nassim Soleimanpour talks to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s7-ep6-nassim-soleimanpour-talks-to-susan-wokoma/</link>
	<pubDate>Tue, 02 Apr 2024 11:12:30 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=96183</guid>
	<description><![CDATA[Nassim Soleimanpour is a playwright, theatre maker and the Artistic Director of the Berlin Based Theatre company Nassim Soleimanpour Productions. This year, his latest piece Echo debuts in the Royal Court Theatre’s Jerwood Theatre Downstairs in collaboration with LIFT.]]></description>
	<itunes:subtitle><![CDATA[Nassim Soleimanpour is a playwright, theatre maker and the Artistic Director of the Berlin Based Theatre company Nassim Soleimanpour Productions. This year, his latest piece Echo debuts in the Royal Court Theatre’s Jerwood Theatre Downstairs in collabora]]></itunes:subtitle>
	<content:encoded><![CDATA[Nassim Soleimanpour is a playwright, theatre maker and the Artistic Director of the Berlin Based Theatre company Nassim Soleimanpour Productions. This year, his latest piece Echo debuts in the Royal Court Theatre’s Jerwood Theatre Downstairs in collaboration with LIFT.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/96183/s7-ep6-nassim-soleimanpour-talks-to-susan-wokoma.wav" length="444144280" type="audio/wav"></enclosure>
	<itunes:summary><![CDATA[Nassim Soleimanpour is a playwright, theatre maker and the Artistic Director of the Berlin Based Theatre company Nassim Soleimanpour Productions. This year, his latest piece Echo debuts in the Royal Court Theatre’s Jerwood Theatre Downstairs in collaboration with LIFT.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>25:41</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Nassim Soleimanpour is a playwright, theatre maker and the Artistic Director of the Berlin Based Theatre company Nassim Soleimanpour Productions. This year, his latest piece Echo debuts in the Royal Court Theatre’s Jerwood Theatre Downstairs in collaboration with LIFT.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S7 Ep5: Stewart Pringle talks to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s7-ep5-stewart-pringle-talks-to-susan-wokoma/</link>
	<pubDate>Mon, 25 Mar 2024 12:15:33 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=96127</guid>
	<description><![CDATA[Stewart Pringle is a playwright and dramaturg. He currently works as Senior Dramaturg at the National Theatre. His latest play The Bounds will play in the Jerwood Theatre Upstairs later this year. 
]]></description>
	<itunes:subtitle><![CDATA[Stewart Pringle is a playwright and dramaturg. He currently works as Senior Dramaturg at the National Theatre. His latest play The Bounds will play in the Jerwood Theatre Upstairs later this year.]]></itunes:subtitle>
	<content:encoded><![CDATA[Stewart Pringle is a playwright and dramaturg. He currently works as Senior Dramaturg at the National Theatre. His latest play The Bounds will play in the Jerwood Theatre Upstairs later this year. 
]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/96127/s7-ep5-stewart-pringle-talks-to-susan-wokoma.wav" length="332257456" type="audio/wav"></enclosure>
	<itunes:summary><![CDATA[Stewart Pringle is a playwright and dramaturg. He currently works as Senior Dramaturg at the National Theatre. His latest play The Bounds will play in the Jerwood Theatre Upstairs later this year.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>28:49</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Stewart Pringle is a playwright and dramaturg. He currently works as Senior Dramaturg at the National Theatre. His latest play The Bounds will play in the Jerwood Theatre Upstairs later this year.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S7 Ep4: Ciara Elizabeth Smyth talks to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s7-ep4-ciara-elizabeth-smyth-talks-to-susan-wokoma/</link>
	<pubDate>Mon, 18 Mar 2024 10:31:44 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=96085</guid>
	<description><![CDATA[Ciara Elizabeth Smyth is an award-winning playwright and screenwriter. Her latest play Lie Low was presented in the Traverse Theatre as part of the Edinburgh Fringe Festival in 2023. Lie Low makes it London debut this year in the Royal Court’s Jerwood Theatre Upstairs. ]]></description>
	<itunes:subtitle><![CDATA[Ciara Elizabeth Smyth is an award-winning playwright and screenwriter. Her latest play Lie Low was presented in the Traverse Theatre as part of the Edinburgh Fringe Festival in 2023. Lie Low makes it London debut this year in the Royal Court’s Jerwood Th]]></itunes:subtitle>
	<content:encoded><![CDATA[Ciara Elizabeth Smyth is an award-winning playwright and screenwriter. Her latest play Lie Low was presented in the Traverse Theatre as part of the Edinburgh Fringe Festival in 2023. Lie Low makes it London debut this year in the Royal Court’s Jerwood Theatre Upstairs. ]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/96085/s7-ep4-ciara-elizabeth-smyth-talks-to-susan-wokoma.wav" length="429027038" type="audio/wav"></enclosure>
	<itunes:summary><![CDATA[Ciara Elizabeth Smyth is an award-winning playwright and screenwriter. Her latest play Lie Low was presented in the Traverse Theatre as part of the Edinburgh Fringe Festival in 2023. Lie Low makes it London debut this year in the Royal Court’s Jerwood Theatre Upstairs. ]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>24:48</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Ciara Elizabeth Smyth is an award-winning playwright and screenwriter. Her latest play Lie Low was presented in the Traverse Theatre as part of the Edinburgh Fringe Festival in 2023. Lie Low makes it London debut this year in the Royal Court’s Jerwood Theatre Upstairs. ]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S7 Ep3: Margaret Perry talks to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s7-ep3-margaret-perry-talks-to-susan-wokoma/</link>
	<pubDate>Mon, 11 Mar 2024 10:47:16 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=96034</guid>
	<description><![CDATA[Margaret Perry is an award-winning playwright. Her stage work includes Porcelain,  Collapsible and Paradise Now! which was nominated for a 2023 Olivier Award (Outstanding Achievement in an Affiliate Theatre). This year, she collaborates with Katie Mitchell on an adaptation of Maggie Nelson’s ‘Bluets’, which will play in the Jerwood Theatre Downstairs later this year.
]]></description>
	<itunes:subtitle><![CDATA[Margaret Perry is an award-winning playwright. Her stage work includes Porcelain,  Collapsible and Paradise Now! which was nominated for a 2023 Olivier Award (Outstanding Achievement in an Affiliate Theatre). This year, she collaborates with Katie Mitche]]></itunes:subtitle>
	<content:encoded><![CDATA[Margaret Perry is an award-winning playwright. Her stage work includes Porcelain,  Collapsible and Paradise Now! which was nominated for a 2023 Olivier Award (Outstanding Achievement in an Affiliate Theatre). This year, she collaborates with Katie Mitchell on an adaptation of Maggie Nelson’s ‘Bluets’, which will play in the Jerwood Theatre Downstairs later this year.
]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/96034/s7-ep3-margaret-perry-talks-to-susan-wokoma.wav" length="451529844" type="audio/wav"></enclosure>
	<itunes:summary><![CDATA[Margaret Perry is an award-winning playwright. Her stage work includes Porcelain,  Collapsible and Paradise Now! which was nominated for a 2023 Olivier Award (Outstanding Achievement in an Affiliate Theatre). This year, she collaborates with Katie Mitchell on an adaptation of Maggie Nelson’s ‘Bluets’, which will play in the Jerwood Theatre Downstairs later this year.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>26:07</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Margaret Perry is an award-winning playwright. Her stage work includes Porcelain,  Collapsible and Paradise Now! which was nominated for a 2023 Olivier Award (Outstanding Achievement in an Affiliate Theatre). This year, she collaborates with Katie Mitchell on an adaptation of Maggie Nelson’s ‘Bluets’, which will play in the Jerwood Theatre Downstairs later this year.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S7 Ep2: Sabrina Ali talks to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s7-ep2-sabrina-ali-talks-to-susan-wokoma/</link>
	<pubDate>Mon, 11 Mar 2024 10:24:30 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=96031</guid>
	<description><![CDATA[Sabrina Ali is a British Somali writer and actor, who is driven by a passion for sharing authentic and representative stories. Sabrina’s most recent play, Dugsi Dayz, played at Edinburgh Fringe 2023, returned to the New Diorama last year and will play in the Royal Court’s Jerwood Theatre Upstairs this Spring.  
]]></description>
	<itunes:subtitle><![CDATA[Sabrina Ali is a British Somali writer and actor, who is driven by a passion for sharing authentic and representative stories. Sabrina’s most recent play, Dugsi Dayz, played at Edinburgh Fringe 2023, returned to the New Diorama last year and will play in]]></itunes:subtitle>
	<content:encoded><![CDATA[Sabrina Ali is a British Somali writer and actor, who is driven by a passion for sharing authentic and representative stories. Sabrina’s most recent play, Dugsi Dayz, played at Edinburgh Fringe 2023, returned to the New Diorama last year and will play in the Royal Court’s Jerwood Theatre Upstairs this Spring.  
]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/96031/s7-ep2-sabrina-ali-talks-to-susan-wokoma.wav" length="355103618" type="audio/wav"></enclosure>
	<itunes:summary><![CDATA[Sabrina Ali is a British Somali writer and actor, who is driven by a passion for sharing authentic and representative stories. Sabrina’s most recent play, Dugsi Dayz, played at Edinburgh Fringe 2023, returned to the New Diorama last year and will play in the Royal Court’s Jerwood Theatre Upstairs this Spring.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>20:30</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Sabrina Ali is a British Somali writer and actor, who is driven by a passion for sharing authentic and representative stories. Sabrina’s most recent play, Dugsi Dayz, played at Edinburgh Fringe 2023, returned to the New Diorama last year and will play in the Royal Court’s Jerwood Theatre Upstairs this Spring.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S7 Ep1: Dirty Hare talk to Susan Wokoma</title>
	<link>https://test.royalcourttheatre.com/podcast/s7-ep1-dirty-hare-talk-to-susan-wokoma/</link>
	<pubDate>Mon, 11 Mar 2024 10:14:49 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=96027</guid>
	<description><![CDATA[Dirty Hare are an award-winning theatre company, made up of director and facilitator Rachel Lemon, historian, musician and writer Lydia Higman and actor and writer Julia Grogan. Dirty Hare’s award-winning production of Gunter transfers to the Royal Court theatre upstairs following its sold-out premiere at Summerhall at the Edinburgh Fringe last year.]]></description>
	<itunes:subtitle><![CDATA[Dirty Hare are an award-winning theatre company, made up of director and facilitator Rachel Lemon, historian, musician and writer Lydia Higman and actor and writer Julia Grogan. Dirty Hare’s award-winning production of Gunter transfers to the Royal Court]]></itunes:subtitle>
	<content:encoded><![CDATA[Dirty Hare are an award-winning theatre company, made up of director and facilitator Rachel Lemon, historian, musician and writer Lydia Higman and actor and writer Julia Grogan. Dirty Hare’s award-winning production of Gunter transfers to the Royal Court theatre upstairs following its sold-out premiere at Summerhall at the Edinburgh Fringe last year.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/96027/s7-ep1-dirty-hare-talk-to-susan-wokoma.wav" length="409423638" type="audio/wav"></enclosure>
	<itunes:summary><![CDATA[Dirty Hare are an award-winning theatre company, made up of director and facilitator Rachel Lemon, historian, musician and writer Lydia Higman and actor and writer Julia Grogan. Dirty Hare’s award-winning production of Gunter transfers to the Royal Court theatre upstairs following its sold-out premiere at Summerhall at the Edinburgh Fringe last year.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>23:40</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Dirty Hare are an award-winning theatre company, made up of director and facilitator Rachel Lemon, historian, musician and writer Lydia Higman and actor and writer Julia Grogan. Dirty Hare’s award-winning production of Gunter transfers to the Royal Court theatre upstairs following its sold-out premiere at Summerhall at the Edinburgh Fringe last year.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S6 Ep4: Caro Black Tam talks to Omar Elerian</title>
	<link>https://test.royalcourttheatre.com/podcast/s6-ep4-caro-black-tam-talks-to-omar-elerian/</link>
	<pubDate>Tue, 09 Aug 2022 10:00:23 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=84454</guid>
	<description><![CDATA[Caro is a Bachelor of Psychology with experience in social research in public policies. As a playwright, their plays include "Asfixia" and "Tomás". They have been a resident at the Royal Court's International Playwrights' Programme and have taken part in their Long-Form Writing Group.]]></description>
	<itunes:subtitle><![CDATA[Caro is a Bachelor of Psychology with experience in social research in public policies. As a playwright, their plays include Asfixia and Tomás. They have been a resident at the Royal Courts International Playwrights Programme and have taken part in their]]></itunes:subtitle>
	<content:encoded><![CDATA[Caro is a Bachelor of Psychology with experience in social research in public policies. As a playwright, their plays include "Asfixia" and "Tomás". They have been a resident at the Royal Court's International Playwrights' Programme and have taken part in their Long-Form Writing Group.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/84454/s6-ep4-caro-black-tam-talks-to-omar-elerian.mp3" length="106435720" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Caro is a Bachelor of Psychology with experience in social research in public policies. As a playwright, their plays include "Asfixia" and "Tomás". They have been a resident at the Royal Court's International Playwrights' Programme and have taken part in their Long-Form Writing Group.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>55:14</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Caro is a Bachelor of Psychology with experience in social research in public policies. As a playwright, their plays include "Asfixia" and "Tomás". They have been a resident at the Royal Court's International Playwrights' Programme and have taken part in their Long-Form Writing Group.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S6 Ep3: Nazareth Hassan talks to Omar Elerian</title>
	<link>https://test.royalcourttheatre.com/podcast/s6-ep3-nazareth-hassan-talks-to-omar-elerian/</link>
	<pubDate>Tue, 02 Aug 2022 10:00:23 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=84452</guid>
	<description><![CDATA[Nazareth Hassan is an interdisciplinary artist working in writing, performance, music, sound, video & photography based in Brooklyn, New York.]]></description>
	<itunes:subtitle><![CDATA[Nazareth Hassan is an interdisciplinary artist working in writing, performance, music, sound, video & photography based in Brooklyn, New York.]]></itunes:subtitle>
	<content:encoded><![CDATA[Nazareth Hassan is an interdisciplinary artist working in writing, performance, music, sound, video & photography based in Brooklyn, New York.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/84452/s6-ep3-nazareth-hassan-talks-to-omar-elerian.mp3" length="118829204" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Nazareth Hassan is an interdisciplinary artist working in writing, performance, music, sound, video & photography based in Brooklyn, New York.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:01:41</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Nazareth Hassan is an interdisciplinary artist working in writing, performance, music, sound, video & photography based in Brooklyn, New York.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S6 Ep2: Pablo Manzi talks to Omar Elerian</title>
	<link>https://test.royalcourttheatre.com/podcast/s6-ep2-pablo-manzi-talks-to-omar-elerian/</link>
	<pubDate>Tue, 26 Jul 2022 10:00:16 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=84449</guid>
	<description><![CDATA[Pablo Manzi has developed most of his work as a playwright with the Chile-based collective BONOBO. His texts have been presented in festivals in Japan, Italy, The Netherlands, Peru, Germany, Spain, Mexico, Brazil, Belgium, the USA, Sweden and Chile. He was invited by the Royal Court theatre and the British Council to do a residency in London where he wrote ‘A Fight Against…’/‘Una Lucha Contra…’]]></description>
	<itunes:subtitle><![CDATA[Pablo Manzi has developed most of his work as a playwright with the Chile-based collective BONOBO. His texts have been presented in festivals in Japan, Italy, The Netherlands, Peru, Germany, Spain, Mexico, Brazil, Belgium, the USA, Sweden and Chile. He w]]></itunes:subtitle>
	<content:encoded><![CDATA[Pablo Manzi has developed most of his work as a playwright with the Chile-based collective BONOBO. His texts have been presented in festivals in Japan, Italy, The Netherlands, Peru, Germany, Spain, Mexico, Brazil, Belgium, the USA, Sweden and Chile. He was invited by the Royal Court theatre and the British Council to do a residency in London where he wrote ‘A Fight Against…’/‘Una Lucha Contra…’]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/84449/s6-ep2-pablo-manzi-talks-to-omar-elerian.mp3" length="107105689" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Pablo Manzi has developed most of his work as a playwright with the Chile-based collective BONOBO. His texts have been presented in festivals in Japan, Italy, The Netherlands, Peru, Germany, Spain, Mexico, Brazil, Belgium, the USA, Sweden and Chile. He was invited by the Royal Court theatre and the British Council to do a residency in London where he wrote ‘A Fight Against…’/‘Una Lucha Contra…’]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>55:35</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Pablo Manzi has developed most of his work as a playwright with the Chile-based collective BONOBO. His texts have been presented in festivals in Japan, Italy, The Netherlands, Peru, Germany, Spain, Mexico, Brazil, Belgium, the USA, Sweden and Chile. He was invited by the Royal Court theatre and the British Council to do a residency in London where he wrote ‘A Fight Against…’/‘Una Lucha Contra…’]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S6 Ep1: Amir Gudarzi talks to Omar Elerian</title>
	<link>https://test.royalcourttheatre.com/podcast/s6-ep1-amir-gudarzi-talks-to-omar-elerian/</link>
	<pubDate>Mon, 18 Jul 2022 10:39:01 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=84447</guid>
	<description><![CDATA[Amir Gudarzi is a writer born in Tehran, Iran, in 1986. Due to censorship his plays were only shown in private circles. And since 2009, Amir has lived in involuntary exile in Vienna, Austria.]]></description>
	<itunes:subtitle><![CDATA[Amir Gudarzi is a writer born in Tehran, Iran, in 1986. Due to censorship his plays were only shown in private circles. And since 2009, Amir has lived in involuntary exile in Vienna, Austria.]]></itunes:subtitle>
	<content:encoded><![CDATA[Amir Gudarzi is a writer born in Tehran, Iran, in 1986. Due to censorship his plays were only shown in private circles. And since 2009, Amir has lived in involuntary exile in Vienna, Austria.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/84447/s6-ep1-amir-gudarzi-talks-to-omar-elerian.mp3" length="110256297" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Amir Gudarzi is a writer born in Tehran, Iran, in 1986. Due to censorship his plays were only shown in private circles. And since 2009, Amir has lived in involuntary exile in Vienna, Austria.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>57:13</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Amir Gudarzi is a writer born in Tehran, Iran, in 1986. Due to censorship his plays were only shown in private circles. And since 2009, Amir has lived in involuntary exile in Vienna, Austria.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Dutch Singer-Songwriter, Performer &#038; Composer Wende talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/dutch-singer-songwriter-performer-composer-wende-talks-to-simon-stephens/</link>
	<pubDate>Thu, 05 Aug 2021 16:53:48 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=80241</guid>
	<description><![CDATA[For twenty years Wende has been one of the most celebrated singers and performers in the whole of Europe. She released her first album in 2004 as a graduate from the Amsterdam Theatre School. The following seventeen years have seen her release nine more albums and tour the continent to sell out audiences. At the Royal Court in 2019 she debuted a remarkable exploration of the form of songwriting with The Song Project. It returns to the Royal Court this Summer 2021.]]></description>
	<itunes:subtitle><![CDATA[For twenty years Wende has been one of the most celebrated singers and performers in the whole of Europe. She released her first album in 2004 as a graduate from the Amsterdam Theatre School. The following seventeen years have seen her release nine more ]]></itunes:subtitle>
	<content:encoded><![CDATA[For twenty years Wende has been one of the most celebrated singers and performers in the whole of Europe. She released her first album in 2004 as a graduate from the Amsterdam Theatre School. The following seventeen years have seen her release nine more albums and tour the continent to sell out audiences. At the Royal Court in 2019 she debuted a remarkable exploration of the form of songwriting with The Song Project. It returns to the Royal Court this Summer 2021.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/80241/dutch-singer-songwriter-performer-composer-wende-talks-to-simon-stephens.mp3" length="100350962" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[For twenty years Wende has been one of the most celebrated singers and performers in the whole of Europe. She released her first album in 2004 as a graduate from the Amsterdam Theatre School. The following seventeen years have seen her release nine more albums and tour the continent to sell out audiences. At the Royal Court in 2019 she debuted a remarkable exploration of the form of songwriting with The Song Project. It returns to the Royal Court this Summer 2021.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>01:09:40</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[For twenty years Wende has been one of the most celebrated singers and performers in the whole of Europe. She released her first album in 2004 as a graduate from the Amsterdam Theatre School. The following seventeen years have seen her release nine more albums and tour the continent to sell out audiences. At the Royal Court in 2019 she debuted a remarkable exploration of the form of songwriting with The Song Project. It returns to the Royal Court this Summer 2021.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S5 Ep5: Ta-Nia (aka Talia Paulette Oliveras &#038; Nia Farrell) talk to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s5-ep5-ta-nia-aka-talia-paulette-oliveras-nia-farrell-talk-to-simon-stephens/</link>
	<pubDate>Tue, 18 May 2021 09:13:54 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=79755</guid>
	<description><![CDATA[The theatre making duo made up of director Talia Paulette Oliveras and writer Nia Farrell, collectively known as TaNia, met while studying experimental and collaborative theatre making at New York University's Tisch School of the Arts. The power of their theoretical rigour and the incision of their thought as a means of critiquing power was maybe developed at NYU, but there is no arid or academic crust to the work that TaNia first developed there: the visceral, playful, humane, angry, Afrofuturist theatre event Dreams in Blk Major.]]></description>
	<itunes:subtitle><![CDATA[The theatre making duo made up of director Talia Paulette Oliveras and writer Nia Farrell, collectively known as TaNia, met while studying experimental and collaborative theatre making at New York Universitys Tisch School of the Arts. The power of their ]]></itunes:subtitle>
	<content:encoded><![CDATA[The theatre making duo made up of director Talia Paulette Oliveras and writer Nia Farrell, collectively known as TaNia, met while studying experimental and collaborative theatre making at New York University's Tisch School of the Arts. The power of their theoretical rigour and the incision of their thought as a means of critiquing power was maybe developed at NYU, but there is no arid or academic crust to the work that TaNia first developed there: the visceral, playful, humane, angry, Afrofuturist theatre event Dreams in Blk Major.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/79755/s5-ep5-ta-nia-aka-talia-paulette-oliveras-nia-farrell-talk-to-simon-stephens.mp3" length="1" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[The theatre making duo made up of director Talia Paulette Oliveras and writer Nia Farrell, collectively known as TaNia, met while studying experimental and collaborative theatre making at New York University's Tisch School of the Arts. The power of their theoretical rigour and the incision of their thought as a means of critiquing power was maybe developed at NYU, but there is no arid or academic crust to the work that TaNia first developed there: the visceral, playful, humane, angry, Afrofuturist theatre event Dreams in Blk Major.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>59:11</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[The theatre making duo made up of director Talia Paulette Oliveras and writer Nia Farrell, collectively known as TaNia, met while studying experimental and collaborative theatre making at New York University's Tisch School of the Arts. The power of their theoretical rigour and the incision of their thought as a means of critiquing power was maybe developed at NYU, but there is no arid or academic crust to the work that TaNia first developed there: the visceral, playful, humane, angry, Afrofuturist theatre event Dreams in Blk Major.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S5 Ep4: Sam Max talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s5-ep4-sam-max-talks-to-simon-stephens/</link>
	<pubDate>Tue, 18 May 2021 08:28:25 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=79498</guid>
	<description><![CDATA[Sam Max is in the early years of their working life but judging from the level of interest their work has provoked and from the depth and clarity of imagination that defines COOP, they are one of those writers whose work over the coming decade has the potential to allow us to reimagine ourselves as we come out of the pandemic.]]></description>
	<itunes:subtitle><![CDATA[Sam Max is in the early years of their working life but judging from the level of interest their work has provoked and from the depth and clarity of imagination that defines COOP, they are one of those writers whose work over the coming decade has the po]]></itunes:subtitle>
	<content:encoded><![CDATA[Sam Max is in the early years of their working life but judging from the level of interest their work has provoked and from the depth and clarity of imagination that defines COOP, they are one of those writers whose work over the coming decade has the potential to allow us to reimagine ourselves as we come out of the pandemic.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/79498/s5-ep4-sam-max-talks-to-simon-stephens.mp3" length="89497992" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Sam Max is in the early years of their working life but judging from the level of interest their work has provoked and from the depth and clarity of imagination that defines COOP, they are one of those writers whose work over the coming decade has the potential to allow us to reimagine ourselves as we come out of the pandemic.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:02:08</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Sam Max is in the early years of their working life but judging from the level of interest their work has provoked and from the depth and clarity of imagination that defines COOP, they are one of those writers whose work over the coming decade has the potential to allow us to reimagine ourselves as we come out of the pandemic.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S5 Ep3: Eve Leigh talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s5-ep3-eve-leigh-talks-to-simon-stephens/</link>
	<pubDate>Tue, 18 May 2021 08:27:49 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=79435</guid>
	<description><![CDATA[Eve Leigh is a writer of range and conviction. Her theatre is built on an understanding of the importance of the presence of the audience in her work. She invents games for them to play. She imagines magic tricks for them to take part in. She makes music for them to listen to. In recent years her commitment to the investigation of issues of ability and access in the theatre have been integrated into her work in a way that is as theatrical and playful as it is serious and nuanced.]]></description>
	<itunes:subtitle><![CDATA[Eve Leigh is a writer of range and conviction. Her theatre is built on an understanding of the importance of the presence of the audience in her work. She invents games for them to play. She imagines magic tricks for them to take part in. She makes music]]></itunes:subtitle>
	<content:encoded><![CDATA[Eve Leigh is a writer of range and conviction. Her theatre is built on an understanding of the importance of the presence of the audience in her work. She invents games for them to play. She imagines magic tricks for them to take part in. She makes music for them to listen to. In recent years her commitment to the investigation of issues of ability and access in the theatre have been integrated into her work in a way that is as theatrical and playful as it is serious and nuanced.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/79435/s5-ep3-eve-leigh-talks-to-simon-stephens.mp3" length="99489874" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Eve Leigh is a writer of range and conviction. Her theatre is built on an understanding of the importance of the presence of the audience in her work. She invents games for them to play. She imagines magic tricks for them to take part in. She makes music for them to listen to. In recent years her commitment to the investigation of issues of ability and access in the theatre have been integrated into her work in a way that is as theatrical and playful as it is serious and nuanced.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:09:04</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Eve Leigh is a writer of range and conviction. Her theatre is built on an understanding of the importance of the presence of the audience in her work. She invents games for them to play. She imagines magic tricks for them to take part in. She makes music for them to listen to. In recent years her commitment to the investigation of issues of ability and access in the theatre have been integrated into her work in a way that is as theatrical and playful as it is serious and nuanced.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S5 Ep2: Laurence Dauphinais talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s5-ep2-laurence-dauphinais-talks-to-simon-stephens/</link>
	<pubDate>Tue, 18 May 2021 08:26:06 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=79497</guid>
	<description><![CDATA[Quebecoise musician, artist, director, actor and writer Laurence Dauphinais has a body of work that is defined by its diversity. Her beautiful piece of documentary drama Aalaapi, which has been chosen for the 2020/21 Stückemarkt, was her debut as solo director. It premiered at the Centre du Théâtre d’Aujourd’hui (CTDA) in Montréal where it won the 2020 Playwright’s Prize.]]></description>
	<itunes:subtitle><![CDATA[Quebecoise musician, artist, director, actor and writer Laurence Dauphinais has a body of work that is defined by its diversity. Her beautiful piece of documentary drama Aalaapi, which has been chosen for the 2020/21 Stückemarkt, was her debut as solo di]]></itunes:subtitle>
	<content:encoded><![CDATA[Quebecoise musician, artist, director, actor and writer Laurence Dauphinais has a body of work that is defined by its diversity. Her beautiful piece of documentary drama Aalaapi, which has been chosen for the 2020/21 Stückemarkt, was her debut as solo director. It premiered at the Centre du Théâtre d’Aujourd’hui (CTDA) in Montréal where it won the 2020 Playwright’s Prize.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/79497/s5-ep2-laurence-dauphinais-talks-to-simon-stephens.mp3" length="89705952" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Quebecoise musician, artist, director, actor and writer Laurence Dauphinais has a body of work that is defined by its diversity. Her beautiful piece of documentary drama Aalaapi, which has been chosen for the 2020/21 Stückemarkt, was her debut as solo director. It premiered at the Centre du Théâtre d’Aujourd’hui (CTDA) in Montréal where it won the 2020 Playwright’s Prize.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:02:17</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Quebecoise musician, artist, director, actor and writer Laurence Dauphinais has a body of work that is defined by its diversity. Her beautiful piece of documentary drama Aalaapi, which has been chosen for the 2020/21 Stückemarkt, was her debut as solo director. It premiered at the Centre du Théâtre d’Aujourd’hui (CTDA) in Montréal where it won the 2020 Playwright’s Prize.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S5 Ep1: Jude Christian talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s5-ep1-jude-christian-talks-to-simon-stephens/</link>
	<pubDate>Tue, 18 May 2021 08:25:11 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=79494</guid>
	<description><![CDATA[Over the course of the last decade Jude Christian has established herself as one of the most exciting directors, dramaturgs, and theatre makers in British theatre. She has written, developed and performed a quite shattering and unique piece of theatre. Nanjing dramatizes her own exploration of her own history.]]></description>
	<itunes:subtitle><![CDATA[Over the course of the last decade Jude Christian has established herself as one of the most exciting directors, dramaturgs, and theatre makers in British theatre. She has written, developed and performed a quite shattering and unique piece of theatre. N]]></itunes:subtitle>
	<content:encoded><![CDATA[Over the course of the last decade Jude Christian has established herself as one of the most exciting directors, dramaturgs, and theatre makers in British theatre. She has written, developed and performed a quite shattering and unique piece of theatre. Nanjing dramatizes her own exploration of her own history.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/79494/s5-ep1-jude-christian-talks-to-simon-stephens.mp3" length="72655353" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Over the course of the last decade Jude Christian has established herself as one of the most exciting directors, dramaturgs, and theatre makers in British theatre. She has written, developed and performed a quite shattering and unique piece of theatre. Nanjing dramatizes her own exploration of her own history.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>50:26</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Over the course of the last decade Jude Christian has established herself as one of the most exciting directors, dramaturgs, and theatre makers in British theatre. She has written, developed and performed a quite shattering and unique piece of theatre. Nanjing dramatizes her own exploration of her own history.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Jammz and Nazareth Hassan in conversation</title>
	<link>https://test.royalcourttheatre.com/podcast/jammz-and-nazareth-hassan-in-conversation/</link>
	<pubDate>Sat, 08 May 2021 18:14:23 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=79316</guid>
	<description><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers and musicians Jammz (Poet in da Corner) and Nazareth Hassan (VANTABLACK) discuss their work for Living Newspaper Editions 1 and 2, how they approached creating their pieces for Living Newspaper, the survival of [&#8230;]]]></description>
	<itunes:subtitle><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers and musicians Jammz (Poet in da Corner) and Nazareth Hassan (VANTABLACK) discuss their ]]></itunes:subtitle>
	<content:encoded><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers and musicians Jammz (Poet in da Corner) and Nazareth Hassan (VANTABLACK) discuss their work for Living Newspaper Editions 1 and 2, how they approached creating their pieces for Living Newspaper, the survival of [&#8230;]]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/79316/jammz-and-nazareth-hassan-in-conversation.mp3" length="31201308" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers and musicians Jammz (Poet in da Corner) and Nazareth Hassan (VANTABLACK) discuss their work for Living Newspaper Editions 1 and 2, how they approached creating their pieces for Living Newspaper, the survival of [&#8230;]]]></itunes:summary>
	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>0:00</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers and musicians Jammz (Poet in da Corner) and Nazareth Hassan (VANTABLACK) discuss their work for Living Newspaper Editions 1 and 2, how they approached creating their pieces for Living Newspaper, the survival of [&#8230;]]]></googleplay:description>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Ruby Thomas and Chris Thorpe in conversation</title>
	<link>https://test.royalcourttheatre.com/podcast/ruby-thomas-and-chris-thorpe-in-conversation/</link>
	<pubDate>Wed, 05 May 2021 17:41:40 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=79154</guid>
	<description><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers Ruby Thomas (Either) and Chris Thorpe (Victory Condition) wrote for The Weather Room of the Living Newspaper, in Edition 2 and Edition 1 respectively. In the Living Newspaper, The Weather Room is an [&#8230;]]]></description>
	<itunes:subtitle><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers Ruby Thomas (Either) and Chris Thorpe (Victory Condition) wrote for The Weather Room of]]></itunes:subtitle>
	<content:encoded><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers Ruby Thomas (Either) and Chris Thorpe (Victory Condition) wrote for The Weather Room of the Living Newspaper, in Edition 2 and Edition 1 respectively. In the Living Newspaper, The Weather Room is an [&#8230;]]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/79154/ruby-thomas-and-chris-thorpe-in-conversation.mp3" length="31566669" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers Ruby Thomas (Either) and Chris Thorpe (Victory Condition) wrote for The Weather Room of the Living Newspaper, in Edition 2 and Edition 1 respectively. In the Living Newspaper, The Weather Room is an [&#8230;]]]></itunes:summary>
	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>21:54</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers Ruby Thomas (Either) and Chris Thorpe (Victory Condition) wrote for The Weather Room of the Living Newspaper, in Edition 2 and Edition 1 respectively. In the Living Newspaper, The Weather Room is an [&#8230;]]]></googleplay:description>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Katherine Soper and Daniel York Loh in conversation</title>
	<link>https://test.royalcourttheatre.com/podcast/katherine-soper-and-daniel-york-loh-in-conversation/</link>
	<pubDate>Tue, 04 May 2021 10:39:52 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=79142</guid>
	<description><![CDATA[“One of the things that I was thinking about is that, conspiracies just tend to take on the kind of anxieties of the age that they’re conceived in.” Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. In this episode, writers Katherine Soper [&#8230;]]]></description>
	<itunes:subtitle><![CDATA[“One of the things that I was thinking about is that, conspiracies just tend to take on the kind of anxieties of the age that they’re conceived in.” Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are ]]></itunes:subtitle>
	<content:encoded><![CDATA[“One of the things that I was thinking about is that, conspiracies just tend to take on the kind of anxieties of the age that they’re conceived in.” Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. In this episode, writers Katherine Soper [&#8230;]]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/79142/katherine-soper-and-daniel-york-loh-in-conversation.mp3" length="30322493" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[“One of the things that I was thinking about is that, conspiracies just tend to take on the kind of anxieties of the age that they’re conceived in.” Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. In this episode, writers Katherine Soper [&#8230;]]]></itunes:summary>
	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>21:02</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[“One of the things that I was thinking about is that, conspiracies just tend to take on the kind of anxieties of the age that they’re conceived in.” Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. In this episode, writers Katherine Soper [&#8230;]]]></googleplay:description>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Emteaz Hussain and Jasmine Lee-Jones in conversation</title>
	<link>https://test.royalcourttheatre.com/podcast/emteaz-hussain-and-jasmine-lee-jones-in-conversation/</link>
	<pubDate>Sun, 21 Mar 2021 19:15:27 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=78233</guid>
	<description><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. In this episode, writers Emteaz Hussain and Jasmine Lee-Jones talk about the role of writing for self-reflection and transformation and how they responded to, and wrote for, the Obituaries section of the Living Newspaper. [&#8230;]]]></description>
	<itunes:subtitle><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. In this episode, writers Emteaz Hussain and Jasmine Lee-Jones talk about the role of writing fo]]></itunes:subtitle>
	<content:encoded><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. In this episode, writers Emteaz Hussain and Jasmine Lee-Jones talk about the role of writing for self-reflection and transformation and how they responded to, and wrote for, the Obituaries section of the Living Newspaper. [&#8230;]]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/78233/emteaz-hussain-and-jasmine-lee-jones-in-conversation.mp3" length="30702538" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. In this episode, writers Emteaz Hussain and Jasmine Lee-Jones talk about the role of writing for self-reflection and transformation and how they responded to, and wrote for, the Obituaries section of the Living Newspaper. [&#8230;]]]></itunes:summary>
	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>21:18</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. In this episode, writers Emteaz Hussain and Jasmine Lee-Jones talk about the role of writing for self-reflection and transformation and how they responded to, and wrote for, the Obituaries section of the Living Newspaper. [&#8230;]]]></googleplay:description>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Anchuli Felicia King and Tife Kusoro in conversation</title>
	<link>https://test.royalcourttheatre.com/podcast/anchuli-felicia-king-and-tife-kusoro-in-conversation/</link>
	<pubDate>Sat, 20 Mar 2021 16:06:21 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=78211</guid>
	<description><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers Anchuli Felicia King and Tife Kusoro discuss creating Aunties for Royal Court Living Newspaper Edition 2. Felicia&#8217;s &#8216;Protest Aunties&#8217; and Tife&#8217;s &#8216;WhatsApp Aunty&#8217; took over spaces of the Royal Court building to explore [&#8230;]]]></description>
	<itunes:subtitle><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers Anchuli Felicia King and Tife Kusoro discuss creating Aunties for Royal Court Living Ne]]></itunes:subtitle>
	<content:encoded><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers Anchuli Felicia King and Tife Kusoro discuss creating Aunties for Royal Court Living Newspaper Edition 2. Felicia&#8217;s &#8216;Protest Aunties&#8217; and Tife&#8217;s &#8216;WhatsApp Aunty&#8217; took over spaces of the Royal Court building to explore [&#8230;]]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/78211/anchuli-felicia-king-and-tife-kusoro-in-conversation.mp3" length="28693387" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers Anchuli Felicia King and Tife Kusoro discuss creating Aunties for Royal Court Living Newspaper Edition 2. Felicia&#8217;s &#8216;Protest Aunties&#8217; and Tife&#8217;s &#8216;WhatsApp Aunty&#8217; took over spaces of the Royal Court building to explore [&#8230;]]]></itunes:summary>
	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>19:55</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers Anchuli Felicia King and Tife Kusoro discuss creating Aunties for Royal Court Living Newspaper Edition 2. Felicia&#8217;s &#8216;Protest Aunties&#8217; and Tife&#8217;s &#8216;WhatsApp Aunty&#8217; took over spaces of the Royal Court building to explore [&#8230;]]]></googleplay:description>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Milli Bhatia and Temi Wilkey in conversation</title>
	<link>https://test.royalcourttheatre.com/podcast/milli-bhatia-and-temi-wilkey-in-conversation/</link>
	<pubDate>Thu, 18 Mar 2021 17:29:56 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=78196</guid>
	<description><![CDATA[Director Milli Bhatia and writer Temi Wilkey discuss creating the Horoscopes section in Edition 1 of the Royal Court Living Newspaper, and using astrology as a site for connection, intimacy and comfort . Read excerpts from the horoscopes written by Temi and find out more about Living Newspaper here. The Horoscopes section of the Living Newspaper [&#8230;]]]></description>
	<itunes:subtitle><![CDATA[Director Milli Bhatia and writer Temi Wilkey discuss creating the Horoscopes section in Edition 1 of the Royal Court Living Newspaper, and using astrology as a site for connection, intimacy and comfort . Read excerpts from the horoscopes written by Temi ]]></itunes:subtitle>
	<content:encoded><![CDATA[Director Milli Bhatia and writer Temi Wilkey discuss creating the Horoscopes section in Edition 1 of the Royal Court Living Newspaper, and using astrology as a site for connection, intimacy and comfort . Read excerpts from the horoscopes written by Temi and find out more about Living Newspaper here. The Horoscopes section of the Living Newspaper [&#8230;]]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/78196/milli-bhatia-and-temi-wilkey-in-conversation.mp3" length="30476361" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Director Milli Bhatia and writer Temi Wilkey discuss creating the Horoscopes section in Edition 1 of the Royal Court Living Newspaper, and using astrology as a site for connection, intimacy and comfort . Read excerpts from the horoscopes written by Temi and find out more about Living Newspaper here. The Horoscopes section of the Living Newspaper [&#8230;]]]></itunes:summary>
	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>21:09</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Director Milli Bhatia and writer Temi Wilkey discuss creating the Horoscopes section in Edition 1 of the Royal Court Living Newspaper, and using astrology as a site for connection, intimacy and comfort . Read excerpts from the horoscopes written by Temi and find out more about Living Newspaper here. The Horoscopes section of the Living Newspaper [&#8230;]]]></googleplay:description>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Lisa Hammond and Tom Wells in conversation</title>
	<link>https://test.royalcourttheatre.com/podcast/lisa-hammond-and-tom-wells-in-conversation/</link>
	<pubDate>Mon, 15 Mar 2021 09:27:21 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=78160</guid>
	<description><![CDATA[Actor Lisa Hammond and writer Tom Wells discuss making &#8216;Ghosting&#8217;, the dating column in Edition 2 of the Royal Court Living Newspaper. Watch excerpts from scenes discussed by Lisa and Tom and find out more about Living Newspaper here. Royal Court-ing is the dating section of the Living Newspaper and is a space to congregate [&#8230;]]]></description>
	<itunes:subtitle><![CDATA[Actor Lisa Hammond and writer Tom Wells discuss making &#8216;Ghosting&#8217;, the dating column in Edition 2 of the Royal Court Living Newspaper. Watch excerpts from scenes discussed by Lisa and Tom and find out more about Living Newspaper here. Royal C]]></itunes:subtitle>
	<content:encoded><![CDATA[Actor Lisa Hammond and writer Tom Wells discuss making &#8216;Ghosting&#8217;, the dating column in Edition 2 of the Royal Court Living Newspaper. Watch excerpts from scenes discussed by Lisa and Tom and find out more about Living Newspaper here. Royal Court-ing is the dating section of the Living Newspaper and is a space to congregate [&#8230;]]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/78160/lisa-hammond-and-tom-wells-in-conversation.mp3" length="27916939" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Actor Lisa Hammond and writer Tom Wells discuss making &#8216;Ghosting&#8217;, the dating column in Edition 2 of the Royal Court Living Newspaper. Watch excerpts from scenes discussed by Lisa and Tom and find out more about Living Newspaper here. Royal Court-ing is the dating section of the Living Newspaper and is a space to congregate [&#8230;]]]></itunes:summary>
	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>19:22</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Actor Lisa Hammond and writer Tom Wells discuss making &#8216;Ghosting&#8217;, the dating column in Edition 2 of the Royal Court Living Newspaper. Watch excerpts from scenes discussed by Lisa and Tom and find out more about Living Newspaper here. Royal Court-ing is the dating section of the Living Newspaper and is a space to congregate [&#8230;]]]></googleplay:description>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Mark Ravenhill and Shankho Chaudhuri in conversation</title>
	<link>https://test.royalcourttheatre.com/podcast/mark-ravenhill-and-shankho-chaudhuri-in-conversation/</link>
	<pubDate>Wed, 03 Mar 2021 13:58:52 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=77967</guid>
	<description><![CDATA[Writer Mark Ravenhill and designer Shankho Chaudhuri discuss working on Edition 2 of the Royal Court Living Newspaper, and how they created a weekly cartoon for the stage. 

Living Newspaper Clippings is a series of conversations, recorded remotely online in 2021, between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Over six editions, Living Newspaper brings together more than 200 freelance artists to make new work about what matters to them now. ]]></description>
	<itunes:subtitle><![CDATA[Writer Mark Ravenhill and designer Shankho Chaudhuri discuss working on Edition 2 of the Royal Court Living Newspaper, and how they created a weekly cartoon for the stage. 

Living Newspaper Clippings is a series of conversations, recorded remotely onl]]></itunes:subtitle>
	<content:encoded><![CDATA[Writer Mark Ravenhill and designer Shankho Chaudhuri discuss working on Edition 2 of the Royal Court Living Newspaper, and how they created a weekly cartoon for the stage. 

Living Newspaper Clippings is a series of conversations, recorded remotely online in 2021, between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Over six editions, Living Newspaper brings together more than 200 freelance artists to make new work about what matters to them now. ]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/77967/mark-ravenhill-and-shankho-chaudhuri-in-conversation.mp3" length="30408704" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Writer Mark Ravenhill and designer Shankho Chaudhuri discuss working on Edition 2 of the Royal Court Living Newspaper, and how they created a weekly cartoon for the stage. 

Living Newspaper Clippings is a series of conversations, recorded remotely online in 2021, between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Over six editions, Living Newspaper brings together more than 200 freelance artists to make new work about what matters to them now.]]></itunes:summary>
	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>21:01</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Writer Mark Ravenhill and designer Shankho Chaudhuri discuss working on Edition 2 of the Royal Court Living Newspaper, and how they created a weekly cartoon for the stage. 

Living Newspaper Clippings is a series of conversations, recorded remotely online in 2021, between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Over six editions, Living Newspaper brings together more than 200 freelance artists to make new work about what matters to them now.]]></googleplay:description>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Protected: Special Content: A History of Water in the Middle East &#8211; Audio Play</title>
	<link>https://test.royalcourttheatre.com/podcast/special-content-a-history-of-water-in-the-middle-east-audio-play/</link>
	<pubDate>Fri, 18 Dec 2020 10:30:04 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=77588</guid>
	<description><![CDATA[There is no excerpt because this is a protected post.]]></description>
	<itunes:subtitle><![CDATA[There is no excerpt because this is a protected post.]]></itunes:subtitle>
	<content:encoded><![CDATA[There is no excerpt because this is a protected post.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/77588/special-content-a-history-of-water-in-the-middle-east-audio-play.mp3" length="94534230" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[There is no excerpt because this is a protected post.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>01:05:38</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[There is no excerpt because this is a protected post.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S4 Ep6: Sabrina Mahfouz talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s4-ep6-sabrina-mahfouz-talks-to-simon-stephens/</link>
	<pubDate>Fri, 24 Jan 2020 11:00:39 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=68102</guid>
	<description><![CDATA[Playwright, poet, performer, presenter, screenwriter, anthologist and librettist Sabrina Mahfouz has written and produced up to twenty plays in the last ten years. She is a compelling performer, passionate and witty and savage and self-deprecating by turn, and her energy has driven one of the most dizzyingly prolific and formally surprising careers in contemporary British Theatre.]]></description>
	<itunes:subtitle><![CDATA[Playwright, poet, performer, presenter, screenwriter, anthologist and librettist Sabrina Mahfouz has written and produced up to twenty plays in the last ten years. She is a compelling performer, passionate and witty and savage and self-deprecating by tur]]></itunes:subtitle>
	<content:encoded><![CDATA[Playwright, poet, performer, presenter, screenwriter, anthologist and librettist Sabrina Mahfouz has written and produced up to twenty plays in the last ten years. She is a compelling performer, passionate and witty and savage and self-deprecating by turn, and her energy has driven one of the most dizzyingly prolific and formally surprising careers in contemporary British Theatre.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/68102/s4-ep6-sabrina-mahfouz-talks-to-simon-stephens.mp3" length="160086170" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Playwright, poet, performer, presenter, screenwriter, anthologist and librettist Sabrina Mahfouz has written and produced up to twenty plays in the last ten years. She is a compelling performer, passionate and witty and savage and self-deprecating by turn, and her energy has driven one of the most dizzyingly prolific and formally surprising careers in contemporary British Theatre.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:23:10</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Playwright, poet, performer, presenter, screenwriter, anthologist and librettist Sabrina Mahfouz has written and produced up to twenty plays in the last ten years. She is a compelling performer, passionate and witty and savage and self-deprecating by turn, and her energy has driven one of the most dizzyingly prolific and formally surprising careers in contemporary British Theatre.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S4 Ep5: Jack Thorne talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s4-ep5-jack-thorne-talks-to-simon-stephens/</link>
	<pubDate>Fri, 17 Jan 2020 11:03:10 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=67970</guid>
	<description><![CDATA[Jack Thorne has written the most popular play of the century, Harry Potter and the Cursed Child. He has written for television, most recently with His Dark Materials, and won five Bafta Awards including for his series Shades and his remarkable collaboration with Shane Meadows that led to the This is England series 86, 88 and 90.]]></description>
	<itunes:subtitle><![CDATA[Jack Thorne has written the most popular play of the century, Harry Potter and the Cursed Child. He has written for television, most recently with His Dark Materials, and won five Bafta Awards including for his series Shades and his remarkable collaborat]]></itunes:subtitle>
	<content:encoded><![CDATA[Jack Thorne has written the most popular play of the century, Harry Potter and the Cursed Child. He has written for television, most recently with His Dark Materials, and won five Bafta Awards including for his series Shades and his remarkable collaboration with Shane Meadows that led to the This is England series 86, 88 and 90.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/67970/s4-ep5-jack-thorne-talks-to-simon-stephens.mp3" length="150273706" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Jack Thorne has written the most popular play of the century, Harry Potter and the Cursed Child. He has written for television, most recently with His Dark Materials, and won five Bafta Awards including for his series Shades and his remarkable collaboration with Shane Meadows that led to the This is England series 86, 88 and 90.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:18:04</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Jack Thorne has written the most popular play of the century, Harry Potter and the Cursed Child. He has written for television, most recently with His Dark Materials, and won five Bafta Awards including for his series Shades and his remarkable collaboration with Shane Meadows that led to the This is England series 86, 88 and 90.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S4 Ep4: David Ireland talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s4-ep4-david-ireland-talks-to-simon-stephens/</link>
	<pubDate>Fri, 10 Jan 2020 11:00:44 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=67906</guid>
	<description><![CDATA[David Ireland is a man whose family names makes writing short essays about his paradoxical national identity, biography and work tremendously complicated. His 2016 play Cyprus Avenue directed by Royal Court Artistic Director Vicky Featherstone in a co-production between the Court and Dublin’s Abbey Theatre propelled Ireland to international attention.]]></description>
	<itunes:subtitle><![CDATA[David Ireland is a man whose family names makes writing short essays about his paradoxical national identity, biography and work tremendously complicated. His 2016 play Cyprus Avenue directed by Royal Court Artistic Director Vicky Featherstone in a co-pr]]></itunes:subtitle>
	<content:encoded><![CDATA[David Ireland is a man whose family names makes writing short essays about his paradoxical national identity, biography and work tremendously complicated. His 2016 play Cyprus Avenue directed by Royal Court Artistic Director Vicky Featherstone in a co-production between the Court and Dublin’s Abbey Theatre propelled Ireland to international attention.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/67906/s4-ep4-david-ireland-talks-to-simon-stephens.mp3" length="132171886" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[David Ireland is a man whose family names makes writing short essays about his paradoxical national identity, biography and work tremendously complicated. His 2016 play Cyprus Avenue directed by Royal Court Artistic Director Vicky Featherstone in a co-production between the Court and Dublin’s Abbey Theatre propelled Ireland to international attention.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:08:38</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[David Ireland is a man whose family names makes writing short essays about his paradoxical national identity, biography and work tremendously complicated. His 2016 play Cyprus Avenue directed by Royal Court Artistic Director Vicky Featherstone in a co-production between the Court and Dublin’s Abbey Theatre propelled Ireland to international attention.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S4 Ep3: Stef Smith talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s4-ep3-stef-smith-talks-to-simon-stephens/</link>
	<pubDate>Fri, 03 Jan 2020 11:00:17 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=67748</guid>
	<description><![CDATA[Over the last decade, Stef Smith has become one of the UK’s most urgent theatre makers. She is restless, not just in the face of her world’s deep grained political and economic injustices of the highest order but also in the capacity for conventional theatre forms to properly explore those injustices. It is this restlessness that has driven and defined one of the most compelling theatrical biographies of the decade.]]></description>
	<itunes:subtitle><![CDATA[Over the last decade, Stef Smith has become one of the UK’s most urgent theatre makers. She is restless, not just in the face of her world’s deep grained political and economic injustices of the highest order but also in the capacity for conventional the]]></itunes:subtitle>
	<content:encoded><![CDATA[Over the last decade, Stef Smith has become one of the UK’s most urgent theatre makers. She is restless, not just in the face of her world’s deep grained political and economic injustices of the highest order but also in the capacity for conventional theatre forms to properly explore those injustices. It is this restlessness that has driven and defined one of the most compelling theatrical biographies of the decade.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/67748/s4-ep3-stef-smith-talks-to-simon-stephens.mp3" length="152255080" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Over the last decade, Stef Smith has become one of the UK’s most urgent theatre makers. She is restless, not just in the face of her world’s deep grained political and economic injustices of the highest order but also in the capacity for conventional theatre forms to properly explore those injustices. It is this restlessness that has driven and defined one of the most compelling theatrical biographies of the decade.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:19:06</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Over the last decade, Stef Smith has become one of the UK’s most urgent theatre makers. She is restless, not just in the face of her world’s deep grained political and economic injustices of the highest order but also in the capacity for conventional theatre forms to properly explore those injustices. It is this restlessness that has driven and defined one of the most compelling theatrical biographies of the decade.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S4 Ep2: Christopher Hampton talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s4-ep2-christopher-hampton-talks-to-simon-stephens/</link>
	<pubDate>Fri, 27 Dec 2019 10:45:48 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=67728</guid>
	<description><![CDATA[Oscar winner Christopher Hampton is a name that has appeared in many, many, many places. In 1966, England won the world cup and Hampton became the youngest playwright to have a play produced in the commercial theatre in the modern age. Between 1968 and 1970 he was the resident dramatist and Literary Manager at the Royal Court. ]]></description>
	<itunes:subtitle><![CDATA[Oscar winner Christopher Hampton is a name that has appeared in many, many, many places. In 1966, England won the world cup and Hampton became the youngest playwright to have a play produced in the commercial theatre in the modern age. Between 1968 and 1]]></itunes:subtitle>
	<content:encoded><![CDATA[Oscar winner Christopher Hampton is a name that has appeared in many, many, many places. In 1966, England won the world cup and Hampton became the youngest playwright to have a play produced in the commercial theatre in the modern age. Between 1968 and 1970 he was the resident dramatist and Literary Manager at the Royal Court. ]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/67728/s4-ep2-christopher-hampton-talks-to-simon-stephens.mp3" length="160976740" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Oscar winner Christopher Hampton is a name that has appeared in many, many, many places. In 1966, England won the world cup and Hampton became the youngest playwright to have a play produced in the commercial theatre in the modern age. Between 1968 and 1970 he was the resident dramatist and Literary Manager at the Royal Court.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:23:38</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Oscar winner Christopher Hampton is a name that has appeared in many, many, many places. In 1966, England won the world cup and Hampton became the youngest playwright to have a play produced in the commercial theatre in the modern age. Between 1968 and 1970 he was the resident dramatist and Literary Manager at the Royal Court.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S4 Ep1: Gurpreet Kaur Bhatti talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s4-ep1-gurpreet-kaur-bhatti-talks-to-simon-stephens/</link>
	<pubDate>Fri, 20 Dec 2019 10:46:30 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=67679</guid>
	<description><![CDATA[Gurpreet Kaur Bhatti's 2004 production of Bezhiti (Dishnour) led to threats of violence against her and her family. It also has distracted many people from the fierce energy, honesty and clarity of her plays. Kaur Bhatti made her Royal Court debut in 2014 with the beautiful Khandan (Family). ]]></description>
	<itunes:subtitle><![CDATA[Gurpreet Kaur Bhattis 2004 production of Bezhiti (Dishnour) led to threats of violence against her and her family. It also has distracted many people from the fierce energy, honesty and clarity of her plays. Kaur Bhatti made her Royal Court debut in 2014]]></itunes:subtitle>
	<content:encoded><![CDATA[Gurpreet Kaur Bhatti's 2004 production of Bezhiti (Dishnour) led to threats of violence against her and her family. It also has distracted many people from the fierce energy, honesty and clarity of her plays. Kaur Bhatti made her Royal Court debut in 2014 with the beautiful Khandan (Family). ]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/67679/s4-ep1-gurpreet-kaur-bhatti-talks-to-simon-stephens.mp3" length="139043329" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Gurpreet Kaur Bhatti's 2004 production of Bezhiti (Dishnour) led to threats of violence against her and her family. It also has distracted many people from the fierce energy, honesty and clarity of her plays. Kaur Bhatti made her Royal Court debut in 2014 with the beautiful Khandan (Family).]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:12:12</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Gurpreet Kaur Bhatti's 2004 production of Bezhiti (Dishnour) led to threats of violence against her and her family. It also has distracted many people from the fierce energy, honesty and clarity of her plays. Kaur Bhatti made her Royal Court debut in 2014 with the beautiful Khandan (Family).]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S3 Ep6: Zinnie Harris talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s3-ep6-zinnie-harris-talks-to-simon-stephens/</link>
	<pubDate>Fri, 08 Feb 2019 10:50:02 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=61257</guid>
	<description><![CDATA[Zinnie Harris has been a presence in the new writing scenes of her home country of Scotland and in London alike. In that time, no writer has drawn so fully and with such imagination from the classical cannon of dramatic literature. Harris's plays are creatures steeped in their dramatic past. Classical heritage sits in her own original work as freshly as in those adaptations.]]></description>
	<itunes:subtitle><![CDATA[Zinnie Harris has been a presence in the new writing scenes of her home country of Scotland and in London alike. In that time, no writer has drawn so fully and with such imagination from the classical cannon of dramatic literature. Harriss plays are crea]]></itunes:subtitle>
	<content:encoded><![CDATA[Zinnie Harris has been a presence in the new writing scenes of her home country of Scotland and in London alike. In that time, no writer has drawn so fully and with such imagination from the classical cannon of dramatic literature. Harris's plays are creatures steeped in their dramatic past. Classical heritage sits in her own original work as freshly as in those adaptations.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/61257/s3-ep6-zinnie-harris-talks-to-simon-stephens.mp3" length="104117150" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Zinnie Harris has been a presence in the new writing scenes of her home country of Scotland and in London alike. In that time, no writer has drawn so fully and with such imagination from the classical cannon of dramatic literature. Harris's plays are creatures steeped in their dramatic past. Classical heritage sits in her own original work as freshly as in those adaptations.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>01:12:01</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Zinnie Harris has been a presence in the new writing scenes of her home country of Scotland and in London alike. In that time, no writer has drawn so fully and with such imagination from the classical cannon of dramatic literature. Harris's plays are creatures steeped in their dramatic past. Classical heritage sits in her own original work as freshly as in those adaptations.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S3 Ep5: Winsome Pinnock talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s4-ep5-winsome-pinnock-talks-to-simon-stephens/</link>
	<pubDate>Fri, 01 Feb 2019 10:50:59 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=61130</guid>
	<description><![CDATA[The debt that recent years of black British playwrights owes to Winsome Pinnock has been celebrated and is unarguable. While upholding and championing her cultural presence as a figure of enormous importance in the recent dramatising of Black experience in the country, she has dramatised the existential catastrophes brought about by capital and gender inequality as much as by the innate racism of the legacy of British colonialism.]]></description>
	<itunes:subtitle><![CDATA[The debt that recent years of black British playwrights owes to Winsome Pinnock has been celebrated and is unarguable. While upholding and championing her cultural presence as a figure of enormous importance in the recent dramatising of Black experience ]]></itunes:subtitle>
	<content:encoded><![CDATA[The debt that recent years of black British playwrights owes to Winsome Pinnock has been celebrated and is unarguable. While upholding and championing her cultural presence as a figure of enormous importance in the recent dramatising of Black experience in the country, she has dramatised the existential catastrophes brought about by capital and gender inequality as much as by the innate racism of the legacy of British colonialism.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/61130/s4-ep5-winsome-pinnock-talks-to-simon-stephens.mp3" length="104072225" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[The debt that recent years of black British playwrights owes to Winsome Pinnock has been celebrated and is unarguable. While upholding and championing her cultural presence as a figure of enormous importance in the recent dramatising of Black experience in the country, she has dramatised the existential catastrophes brought about by capital and gender inequality as much as by the innate racism of the legacy of British colonialism.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>01.11.59</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[The debt that recent years of black British playwrights owes to Winsome Pinnock has been celebrated and is unarguable. While upholding and championing her cultural presence as a figure of enormous importance in the recent dramatising of Black experience in the country, she has dramatised the existential catastrophes brought about by capital and gender inequality as much as by the innate racism of the legacy of British colonialism.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S3 Ep4: Peter Gill talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s3-ep4-peter-gill-talks-to-simon-stephens/</link>
	<pubDate>Fri, 25 Jan 2019 10:45:05 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=60892</guid>
	<description><![CDATA[There are a handful of figures in the history of the Royal Court Theatre that define the place. They carved the path that, whether they are aware of it or not every artist that has worked here after them is attempting to travel down. One of that handful is the Welsh actor, director and playwright Peter Gill.]]></description>
	<itunes:subtitle><![CDATA[There are a handful of figures in the history of the Royal Court Theatre that define the place. They carved the path that, whether they are aware of it or not every artist that has worked here after them is attempting to travel down. One of that handful ]]></itunes:subtitle>
	<content:encoded><![CDATA[There are a handful of figures in the history of the Royal Court Theatre that define the place. They carved the path that, whether they are aware of it or not every artist that has worked here after them is attempting to travel down. One of that handful is the Welsh actor, director and playwright Peter Gill.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/60892/s3-ep4-peter-gill-talks-to-simon-stephens.mp3" length="105003132" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[There are a handful of figures in the history of the Royal Court Theatre that define the place. They carved the path that, whether they are aware of it or not every artist that has worked here after them is attempting to travel down. One of that handful is the Welsh actor, director and playwright Peter Gill.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>01.12.38</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[There are a handful of figures in the history of the Royal Court Theatre that define the place. They carved the path that, whether they are aware of it or not every artist that has worked here after them is attempting to travel down. One of that handful is the Welsh actor, director and playwright Peter Gill.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S3 Ep3: David Eldridge talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s3-ep3-david-eldridge-talks-to-simon-stephens/</link>
	<pubDate>Fri, 18 Jan 2019 10:34:33 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=60758</guid>
	<description><![CDATA[A prolific and successful television and radio writer, David Eldridge has defined himself as a dramatist with force and clarity, humanity and capacity for contradiction with which he has built a dramatic version of London’s East End. ]]></description>
	<itunes:subtitle><![CDATA[A prolific and successful television and radio writer, David Eldridge has defined himself as a dramatist with force and clarity, humanity and capacity for contradiction with which he has built a dramatic version of London’s East End.]]></itunes:subtitle>
	<content:encoded><![CDATA[A prolific and successful television and radio writer, David Eldridge has defined himself as a dramatist with force and clarity, humanity and capacity for contradiction with which he has built a dramatic version of London’s East End. ]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/60758/s3-ep3-david-eldridge-talks-to-simon-stephens.mp3" length="99064977" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[A prolific and successful television and radio writer, David Eldridge has defined himself as a dramatist with force and clarity, humanity and capacity for contradiction with which he has built a dramatic version of London’s East End.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>01.08.31</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[A prolific and successful television and radio writer, David Eldridge has defined himself as a dramatist with force and clarity, humanity and capacity for contradiction with which he has built a dramatic version of London’s East End.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S3 Ep2: Laura Wade talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s3-ep-2-laura-wade-talks-to-simon-stephens/</link>
	<pubDate>Fri, 11 Jan 2019 10:45:16 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=60702</guid>
	<description><![CDATA[Laura Wade's plays return to formal inventiveness with wit and imagination. This inventiveness is counterpointed by an insistent fascination with England as it struggles to define itself in the face of accelerating redundancy. This counterpoint has led to be one of the most exciting bodies of work in contemporary playwriting.]]></description>
	<itunes:subtitle><![CDATA[Laura Wades plays return to formal inventiveness with wit and imagination. This inventiveness is counterpointed by an insistent fascination with England as it struggles to define itself in the face of accelerating redundancy. This counterpoint has led to]]></itunes:subtitle>
	<content:encoded><![CDATA[Laura Wade's plays return to formal inventiveness with wit and imagination. This inventiveness is counterpointed by an insistent fascination with England as it struggles to define itself in the face of accelerating redundancy. This counterpoint has led to be one of the most exciting bodies of work in contemporary playwriting.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/60702/s3-ep-2-laura-wade-talks-to-simon-stephens.mp3" length="107045019" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Laura Wade's plays return to formal inventiveness with wit and imagination. This inventiveness is counterpointed by an insistent fascination with England as it struggles to define itself in the face of accelerating redundancy. This counterpoint has led to be one of the most exciting bodies of work in contemporary playwriting.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>01.14.03</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Laura Wade's plays return to formal inventiveness with wit and imagination. This inventiveness is counterpointed by an insistent fascination with England as it struggles to define itself in the face of accelerating redundancy. This counterpoint has led to be one of the most exciting bodies of work in contemporary playwriting.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S3 Ep1: Jez Butterworth talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s3-ep1-simon-stephens-talks-to-jez-butterworth/</link>
	<pubDate>Thu, 03 Jan 2019 17:44:51 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=60518</guid>
	<description><![CDATA[Jez Butterworth hasn’t written prolifically for theatre. In fact he has written seven stage plays in nearly twenty five years but three of them have been, arguably, the defining plays of their decade.]]></description>
	<itunes:subtitle><![CDATA[Jez Butterworth hasn’t written prolifically for theatre. In fact he has written seven stage plays in nearly twenty five years but three of them have been, arguably, the defining plays of their decade.]]></itunes:subtitle>
	<content:encoded><![CDATA[Jez Butterworth hasn’t written prolifically for theatre. In fact he has written seven stage plays in nearly twenty five years but three of them have been, arguably, the defining plays of their decade.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/60518/s3-ep1-simon-stephens-talks-to-jez-butterworth.mp3" length="111510858" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Jez Butterworth hasn’t written prolifically for theatre. In fact he has written seven stage plays in nearly twenty five years but three of them have been, arguably, the defining plays of their decade.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>01.17.09</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[Jez Butterworth hasn’t written prolifically for theatre. In fact he has written seven stage plays in nearly twenty five years but three of them have been, arguably, the defining plays of their decade.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>BONUS TRACK! S2 Ep16: Simon Stephens talks to Anoushka Warden and Emily Legg</title>
	<link>https://test.royalcourttheatre.com/podcast/bonus-track-s2-ep16-simon-stephens-talks-anoushka-warden-emily-legg/</link>
	<pubDate>Fri, 09 Mar 2018 10:15:23 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=56352</guid>
	<description><![CDATA[I first met Simon Stephens in 2011. I was an intern here at the Court and was tanning in the garden in my lunchbreak. Simon was here with his play Wastwater and was taking a moment’s break from rehearsals. I had watched a preview the night before.]]></description>
	<itunes:subtitle><![CDATA[I first met Simon Stephens in 2011. I was an intern here at the Court and was tanning in the garden in my lunchbreak. Simon was here with his play Wastwater and was taking a moment’s break from rehearsals. I had watched a preview the night before.]]></itunes:subtitle>
	<content:encoded><![CDATA[I first met Simon Stephens in 2011. I was an intern here at the Court and was tanning in the garden in my lunchbreak. Simon was here with his play Wastwater and was taking a moment’s break from rehearsals. I had watched a preview the night before.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/56352/bonus-track-s2-ep16-simon-stephens-talks-anoushka-warden-emily-legg.mp3" length="107.2" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[I first met Simon Stephens in 2011. I was an intern here at the Court and was tanning in the garden in my lunchbreak. Simon was here with his play Wastwater and was taking a moment’s break from rehearsals. I had watched a preview the night before.]]></itunes:summary>
	<itunes:explicit>true</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>01:16:15</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[I first met Simon Stephens in 2011. I was an intern here at the Court and was tanning in the garden in my lunchbreak. Simon was here with his play Wastwater and was taking a moment’s break from rehearsals. I had watched a preview the night before.]]></googleplay:description>
	<googleplay:explicit>Yes</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>S2 Ep15: Timberlake Wertenbaker talks to Simon Stephens</title>
	<link>https://test.royalcourttheatre.com/podcast/s2-ep15-timberlake-wertenbaker-talks-simon-stephens/</link>
	<pubDate>Fri, 02 Mar 2018 10:30:10 +0000</pubDate>
	<dc:creator><![CDATA[Royal Court]]></dc:creator>
	<guid isPermaLink="false">https://royalcourttheatre.com/?post_type=podcast&#038;p=56324</guid>
	<description><![CDATA[The plays of Timberlake Wertenbaker have been a presence in British theatre since the turn of the 1980s. Since that time she has produced work that is as defined by its sense of poetry and linguistic precision as it is by her characters’ yearning for justice or a sense of a home.]]></description>
	<itunes:subtitle><![CDATA[The plays of Timberlake Wertenbaker have been a presence in British theatre since the turn of the 1980s. Since that time she has produced work that is as defined by its sense of poetry and linguistic precision as it is by her characters’ yearning for jus]]></itunes:subtitle>
	<content:encoded><![CDATA[The plays of Timberlake Wertenbaker have been a presence in British theatre since the turn of the 1980s. Since that time she has produced work that is as defined by its sense of poetry and linguistic precision as it is by her characters’ yearning for justice or a sense of a home.]]></content:encoded>
	<enclosure url="http://www.podtrac.com/pts/redirect.mp3/test.royalcourttheatre.com/podcast-download/56324/s2-ep15-timberlake-wertenbaker-talks-simon-stephens.mp3" length="98.8" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[The plays of Timberlake Wertenbaker have been a presence in British theatre since the turn of the 1980s. Since that time she has produced work that is as defined by its sense of poetry and linguistic precision as it is by her characters’ yearning for justice or a sense of a home.]]></itunes:summary>
	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>01:10:13</itunes:duration>
	<itunes:author><![CDATA[Royal Court]]></itunes:author>	<googleplay:description><![CDATA[The plays of Timberlake Wertenbaker have been a presence in British theatre since the turn of the 1980s. Since that time she has produced work that is as defined by its sense of poetry and linguistic precision as it is by her characters’ yearning for justice or a sense of a home.]]></googleplay:description>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>
	</channel>
</rss>
